Prufrock is portrayed as a shy and timid grammatical case whose thoughts and attitudes be severely degraded by failure and lowly self esteem. He is self-conscious and indecisive, un imparting to take whatsoever risks, step up of the fear of rejection. The poem contemplates his unsuccessful attempts to net profit oer women and fit in with society. This is largely due to his hopeless and self-critical nature, regret attitude and suppression. As a consequence of his self-doubting temperament, he forms feelings of isolation and loneliness, manifesting an anti-hero status. Prufrocks personal identity is chiefly researchd by collar rhetorical skylarks. These are the use of an epigraph, recurring images and repetition. The epigraph explores the suffering and scruple in Prufrocks identity in an effective way. It is in offset person and thereof provides insight about what Prufrock is thinking. The metaphor this flame alerts the lector that Prufrock has some shape of desire or unresolved issues which rebuke him. Phrases such as none ever did return alive from this depth sign that Prufrock is calling out from the depths of hell with a sense of pessimism and depression. A key stylistic feature used in the epigraph is juxtaposition.
The prenomen Love Song implies the poem will be about a mans kindness and love for his wife or girlfriend, yet the introductory epigraph tells this chemical group entirely, rather creating the toughness of a tormented, suffering man experiencing hell. This contrast helps to convey Prufrocks true up identity to the reader. Recurring images are a nother key stylistic feature used to explore! Prufrocks identity. The reference to the image of oyster-shells is evidence of his conquer self, and along with the metaphor of yellow cloudiness, form the recurring imagery of the sea. The last mentioned metaphor portrays the fog with cat-like qualities, such as rubbing its back, and licked its tongue... If you want to vanquish a right essay, order it on our website: OrderCustomPaper.com
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